Sunday, April 13, 2014

When I Come Around

Whether it's television, film, or literature, everybody keeps track of their favorite characters. It's strange when you really think about it; it's like when we rank our favorite friends (oh you know you do that, don't act so self-righteous). What do we base our favoritisms on, though? What makes these specific people stand out as our favorites in the fictional adventure we're taken on? Well, I'm not here to answer that question.

When it comes to books our favorite characters may be judged by their actions throughout the story, or by their narration if told through their POV. Maybe we just relate to the characters more than some of the others. Even a minor character in a book can seem like an important one if his or her name is mentioned enough times in the text. They may physically only appear in a single chapter but if written well it can feel like they were present throughout the entire novel. Likewise in film and television, only in those cases it is mainly dependent on the skill of the actor cast in the role. Many fans' favorite characters are only recurring roles and sometimes they become so popular they get promoted to series regulars.

The following is a list of my favorite characters that fit this description: barely present but always there.

5. Walter O' Dim (Stephen King's The Dark Tower)


The man in black fled across the desert, and the gunslinger followed.

And with that simple sentence began the epic 8 book series written by Stephen King (and somewhat controversially, ended it as well). The man in question was Walter O' Dim, a man of many faces and identities who traveled across time and dimensions to cause chaos and destruction. He was a master manipulator and and a master of disguise. While he appeared in Stephen King's The Stand as the central villain under the guise of Randall Flagg, I'm only considering him based on his appearances in The Dark Tower where he played a central role but appeared for only brief moments at a time. His appearances can be broken down like this:

The Gunslinger - present in flashbacks as "Marten Broadcloak," but only appears in two actual scenes.
The Drawing of the Three - mentioned in passing as "Flagg."
The Waste Lands - appears in chapter near end as "Richard Fannin."
Wizard and Glass - meets briefly with Eldred Jonas; confronts Roland briefly in final chapters.
The Wind Through the Keyhole - appears to Tim as the Covenant Man briefly.
Wolves of the Calla - revealed to have met with Callahan in a flashback.
Song of Susannah - mentioned as having made bargain with Mia to birth Mordred.
The Dark Tower - appears in only a single chapter.

While Walter has appeared in each book in some form or another, it doesn't seem like enough to consider him a prominent character. Particularly in the final book with his undoing occurring very early on, in which King reveals to us that the role we perceived O' Dim to play in the grand finale was never very important at all, and that he was never more than another underling of the ultimate villain the Crimson King. In another clever twist, it is the King's newest servant who disposes of Walter, effectively replacing him to accomplish what the former had failed to do.

Still, as little as Walter appeared, it was the mystery about the man that intrigued me and other readers I'm sure. He had so many aliases and disguises, the question we all had until his unpredictably-tragic end was: who was he, really? As was revealed in his final thoughts before death, for a time Walter had forgotten his real name too.

4. Badger (Firefly)


Badger appeared in only two episodes of the cancelled-too-soon Firefly as a criminal businessman who could be trusted as far as you could throw him. He appeared in an early scene of the series' pilot and again in the memorable episode "Shindig," both times hiring the Serenity crew for a job. While he is a minuscule man who seems more adept at delivering clever one-liners than attacking you, he is considered by the characters to be a very dangerous man.
As the series was cancelled after only 14 episodes, there was a lot of potential for the character left up in the air. Fans, however, took to the villain anyways and he is considered a fan favorite. This is largely due in part to actor Mark Sheppard's memorable portrayal of him and for how good he looked in a bowler hat. In the episodes he appeared in he wasn't even present for more than ten minutes total, yet the character came away from it all as if he had been in every episode.

3. The Man in Black (LOST)


While this character was the central villain of the entire season 6 of LOST, and while Terry O' Quinn did a damn fine job of playing him, I can't help but feel that the true Man in Black was portrayed by Titus Welliver. As was established in the episode "Across the Sea" the body we first see the Man in Black in was his actual human body before his soul was exiled from his physical form into what we came to know as the Smoke Monster. The Monster then simply possessed his former body but was no longer the same person.
We first see the Man in Black in the season 5 finale where he casually threatens his brother Jacob with murder (which he delivers on by the episode's end) and I must say that entire scene absolutely blew my mind. The audience had never seen these two before. We had heard Jacob mentioned by the Others and such as a leader-type figure, but the Man in Black was completely new to us (we didn't yet know he was the Smoke Monster we had been seeing all this time). Titus Welliver came into us Losties' lives with a vile charismatic swagger that seduced us into wanting to see more of him. Unfortunately, this was not to be, as the Man in Black assumed the form of the character John Locke for the remainder of the series. We were treated to only three total appearances of Welliver as the villain, all in flashbacks, but boy did they deliver. Welliver had a manner of speaking as the character that just made everything he said sound reasonable. You believe him when he speaks and you don't judge Richard Alpert for briefly aiding him or even when he tries to rejoin his side of the conflict years after the fact. In his origin story you feel pity for the Man as it becomes clear that all he wants is to be able to leave the island and to see what else the world has to offer while his mother and brother keep him there to rot. The Man in Black is obviously evil in how he uses others to get what he wants and kills those he has no use for, but in the end his justification does make sense. I think we as fans owe it to Welliver for making the villain's madness sound so reasonable in mere three episode presence.


2. Meg Masters (Supernatural)


Countless characters come and go throughout Supernatural, but there was always one in particular I always couldn't wait to see again until her eventual death, and that was Meg Masters. Meg was a girl possessed by a demon in the show's first season who acted as a sort of secondary antagonist to the bigger villain, the yellow-eyed demon Azazel. It seemed like she was done in for good when the Winchesters exorcised her from Meg's body but she returned in the second season to possess Sam for one episode. The brothers still referred to her as Meg and continued to do so when she reappeared in season 5 in a new body played by Rachel Miner, and this was where the character really started to take off. Maybe I'm just a sucker for brunettes, and we all know I'm a sucker for leather jackets, but this incarnation of Meg really caught my attention. It helped that she kicked the brothers' ass in the season's first episode, then returned halfway through the season in a memorable and tragic hellhound assault on the good guys. After that episode she wasn't seen again until the next season, after Lucifer's defeat and the years I like to call the "Supernatural Expanded Universe" (sorry y'all, I'm just a Kripke loyalist). Rachel Miner continued to play the flirtatious and vicious Meg to my delight and throughout the next couple of seasons the character slowly began to become an ally to the Winchester team, despite the obvious bad blood between them. Meg's story ends tragically (as all female characters on Supernatural do) when she is captured by demons during a mission and subsequently tortured for the majority of the next season, and just when we finally get to see her again she gets killed helping the brothers escape. Needless to say I was upset, as were many a fan of the show.
Now that all makes Meg seem like a pretty prominent player in the Supernatural universe, and she was, and Rachel Miner did such a phenomenal job reinterpreting the character that we just associate her with the character now, and she only appeared in 7 episodes. That's 7 episodes out of the whole 8 seasons the character was alive. I know! Whaaaaaaaaaaaaaaaat??? It may just be that she's my number 1 fandom crush, but when I think of Supernatural, she immediately comes to mind.

1. Brother Mouzone (The Wire)


When I ask fellow Wire viewers who their favorite characters were (and I do a LOT) Brother Mouzone always comes up on their lists. This character appeared only in four episodes of the second season (a season everybody but me forgets even happened) and three in the third, his final appearance. He wasn't even a native of Baltimore where the story takes place, he was a drug enforcer and hitman hired out of NYC by Avon Barksdale to ward off the Eastside dealers coming into the Westside territory. And boy did he. For a while. He got totally screwed when Stringer Bell, who wanted the Eastsiders to share in the West's territory (it's very complicated), went around his boss's back and deceived stick-up man Omar to take Mouzone out, claiming that he killed Omar's former boyfriend. Mouzone is nearly killed but Omar realizes he had been used and lets the man live. Mouzone returns the following season after leaving Baltimore for a time and forms an alliance with Omar to get revenge on Stringer for betraying both of them. And boy, do they get it.
That's it. That's all Mouzone does in the entire series. Still, we have Michael Potts to thank for playing him in such a mysterious and intriguing way. The man had beliefs that didn't falter for a second, he had traditions he followed to a T, and he wore a fucking bow tie. When he had his favorite Walther PPK in his hand you never knew what was about to happen.

So those are my five prime examples on how a character doesn't have to be seen too much for them to make an impact on a reader or viewer. Sometimes it just comes down to good writing and acting.

Thankee sai,

Tyler

P.S. Don't be afraid to like these when I post them on Facebook. Jeez, guys, you're making me feel unwanted.




Friday, April 11, 2014

Is This the Real Life, Is This Just Fantasy?

For those of you who have followed my writings from Day 1 - and even those who are just tuning in - you've probably been wondering as much as I have just what the hell this blog is supposed to be about. Well, if I may quote what a wise man from my childhood once said:


Fortunately I still have a lot of time left in my life to figure that out, and you really shouldn't care that much anyway. But if you do care, well, gee thanks! I think I like you. And because of people like you, I think I have found a topic to maybe stick with when writing these blog posts: WRITING.

If you're all true fans (okay let's face it, the only ones reading this are my friends) or remember previous posts such as this one or that one then you know how much I like to write fictional stories. It's a sickness, really. I spend more time thinking about characters and plot developments during the day than I do anything. If I brainstormed that stuff any harder I might even forget I'm supposed to breathe. Especially when it comes to the characters. See, I like reading books where the characters seem like real people to me. I don't mean I have to know their entire backstory or whether their carpet matches the drapes, I just need to spend enough time with the people so that eventually everything they do feels natural and right.

J.K. Rowling has been the most successful in this area in my opinion, particularly when it came to my favorite book in the Harry Potter series: The Order of the Phoenix. A lot of people like to knock this book but it was my favorite. Why? Because it's where things really begin to unfold. Harry starts the book off pissed at his friends because he feels they'd abandoned him. On top of that is the knowledge that there's an evil wizard overlord (I do NOT get to type that phrase enough in my life) out to wear him as a coat and he's got wizard SATs to study for and distracting him from all of that important stuff is his hots for the Asian chick in his class. While I personally would've gone for the Patil twins myself, Harry's dilemmas for the first time in the whole series felt real. You know before the wand battles.

                                              I mean, who's reading the books for those?

Not only that, but the characters around Harry begin to act more real and natural, maybe as a result of Harry's sudden maturing portrayal. Anytime Luna Lovegood has a line of dialogue I'm like, "Oh Luna, you would say that!"or anytime Neville's being a doofus I find it endearing, whereas I used to be more like, "Neville you stupid motherfucker!" This isn't only limited to the younger characters either. Every character in the series, whether you know a lot or a little about them, it's the time you spend with them and you getting used to them being around that makes it hurt so much when Rowling just rips them away from you with her death powers. Yeah sure you cried when you killed Lupin and Tonks. Just keep telling us that you heartless quim.

That got heated near the end. Also I apologize for the use of the word "quim," and for stealing that joke from The Curious Case of Phineas Gage. Funny play, btw.

So yes, as I perhaps too-lengthily explained I appreciate a good character who I can identify with and feel like I know personally. And I like creating characters like that so that I too can murder them in unfair and brutal ways with nothing you can do to save them. The problem is, doing that is hard. Not the killing, that's easy. It's just typing. I mean inventing these people and then writing them in a way that it feels like they're existing through you rather than you just pulling their strings. Unfortunately no amount of outlining your character will prepare you to do this properly. In fact, avoid outlining anything if you can help it. Notes are for people who aren't in it. If you're truly gonna commit to a story, you shouldn't need reminders on what happens next.

I don't think there's anything wrong with using so-called "stock characters." You can have "ringleader," "samurai," and "archer" in your group of heroes if you want. If you want them to act and talk like normal people, though, you need to surround them with non-stock characters. These "more real" characters, by interacting with the stockers, will help them grow and evolve realistically by default. Now how do you come up with real, original characters in a time where originality is almost nonexistent? It's, like, SO hard, man. So what I like to do sometimes is choose from my pool of real life acquaintances.

I know many interesting and unique people, and if they have characteristics or personality traits that I really like then I plop them down into the world of my story. I often change their names, but sometimes a person is so distinct that I just can't separate them from their real names. In these cases I ask that person if it's alright to base a character on them and they pretty much always say yes. I mean, who doesn't want a character based on them, assuming that character doesn't turn out to be an asshole?

Now if I ever decide to write a character based on any of you I know, here are some answers to your potential FAQ:

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Would you use my real name?

I may want to use your first name, but never your last name. And if I do want to use your name I will always ask beforehand for your consent.

So this is gonna be me running around in this story?

Not exactly. When I say the person's based on you it could mean I just needed a name and a face as a starting point for the character's development. I may use some personality traits of yours but you should never assume that this character is a representation of what I really think of you or how you would act in certain situations. In fact in most cases by the end the character hardly even resembles the person I originally based him or her on anymore. All things serve the story and none of it should be taken personally. And don't hate me if I kill you off.

Yeah, I don't think I want you to use my name.

That's not really a question, but okay, that's no problem. I'll give them a different name.

I don't want them to be anything like me either.

Well I can't help that they're a little like you anymore. I already changed the name so what more do you want, blood?

Yes.

See, now this is why the character comes off as an asshole.

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And you get the idea. Characters are the driving force in a story and often what makes the story feel as real as it should. Life is full of people and characters who affect you day to day, and the world of fiction operates similarly. If you can introduce a little reality into fiction, then it'll become real to the reader.

I will also be accepting applications for people to base my next characters off of so all interested should apply.

Pura vida,

Tyler

P.S. Maybe someday I'll be published and actually be qualified to say the shit I'm saying.